Order Subscription, 31st to 38th issue

Issues 31, 32, 33, 34, 35, 36, 37 & 38
8 × 20 pages and sometimes more
21 × 29,7 cm, CMYK
Design: Syndicat
2021-2022
Order Subscription, 31st to 38th issue
Issues 31, 32, 33, 34, 35, 36, 37 & 38
8 × 20 pages and sometimes more
21 × 29,7 cm, CMYK
Design: Syndicat
2021-2022
Order subscription, 39th to 45th issue
Issues 39, 40, 41, 42, 43, 44 & 45
7 × 20 pages and sometimes more
21 × 29,7 cm, CMYK
Design: Syndicat
2021-2022
Issues 39, 40, 41, 42, 43, 44 & 45
7 × 20 pages and sometimes more
21 × 29,7 cm, CMYK
Design: Syndicat
2021-2022
n°22 — Special Issue: Artists posters. Authors: Thierry Chancogne, Jérôme Dupeyrat, Mathias Augustyniak
Authors: Thierry Chancogne, Jérôme Dupeyrat, Mathias Augustyniak
72 pages, 21 × 29,7 cm
CMYK + 1 PMS
27 May 2020
ISBN: 979-10-95991-21-2
Authors: Thierry Chancogne, Jérôme Dupeyrat, Mathias Augustyniak
72 pages, 21 × 29,7 cm
CMYK + 1 PMS
27 May 2020
ISBN: 979-10-95991-21-2
On the occasion of a visit to the exhibition at the MRAC Occitanie / Pyrénées-Méditerranée entitled Honey I rearranged the collection, Jérôme Dupeyrat and Thierry Chancogne continue their discussion of the controversial relationships that exist between art and Graphic Design, based on a historical collection of “artists’ posters”.
The artist’s poster or affiche is at once the traditional medium used to advertise artistic events, produced by the artists themselves, the historical medium of a certain passion for French-style painted posters and the desire of a particular artistic practice to democratize art, the symptom or symbol of potential new relationships between Graphic Design and art in an era where artists have acquired a new graphic culture and Graphic Designers a new artistic ambition.
The thematic exchanges nourished by theoretical, artistic, and graphic references taken from recent and contemporary history are punctuated by thoughts from Mathias Augustinyak, based on his experiences with designing posters for artists, artist posters, artistic posters, and the art of the poster.
Special 72 pages format!
n°25 — Exhibition views? Jonathan Monk. Author: Remi Parcollet
Author: Remi Parcollet
20 pages, 21 × 29,7 cm, CMYK
24th October 2020
ISBN: 979-10-95991-17-5
ISSN: 2558-2062
Author: Remi Parcollet
20 pages, 21 × 29,7 cm, CMYK
24th October 2020
ISBN: 979-10-95991-17-5
ISSN: 2558-2062
Photographs of works of art in an exhibition or studio setting, enlarged to the size of the wall, have become an essential and increasingly systematic element of contemporary museography. The institutional curator accompanied by his or her set designer, and the independent curator, both use them as much to recontextualize works as for their aesthetic qualities as documentary images that have become immersive and reflexive.
The obviously richer relationship that artists have with these unique images reveals in various ways what is currently at stake in the act of exhibiting.
To create a kind of retrospective of his work, in 2016 Johnathan Monk debuted a series of exhibitions entitled Exhibit Model*, which consisted of covering the walls of the exhibition space with archive photographs that documented his work in different contexts over the last 20 years. Marie J. Jean considers these staged exhibition views as a form of augmented reality: “This manner of considering the exhibition, in other words, of exhibiting the work along with the context of its appearance, reminds us that the work of art “is a place”, “establishes a place”, is “a has taken place**”.
However for Johnathan Monk, who often uses the work of other artists, isn’t it simply a way in which to appropriate his own work?”
Jonathan Monk, «Exhibit Model Four», 2019 Kindl, Berlin. Photographie: Jens Ziehe. A1 format poster printed in CMYK on blue back paper