n°55 — Matrix font
End of 2025
more infos to come
n°55 — Matrix font
End of 2025
more infos to come
n°01 — A collection: Rouge-gorge, Éditions Cent pages by SpMillot. Author: Thierry Chancogne
Author: Thierry Chancogne.
20 pages, 21 × 29,7 cm, CMYK
25th Octobre 2017
ISBN: 979-10-95991-04-5
ISSN: 2558-2062
Author: Thierry Chancogne.
20 pages, 21 × 29,7 cm, CMYK
25th Octobre 2017
ISBN: 979-10-95991-04-5
ISSN: 2558-2062
Available only with the Season 1 subscription
n°30 — Types of types: the typographic specimen by Lineto. Author: Olivier Lebrun
For Lineto (https://lineto.com) the Specimen plays out through forms and formats in order to promote the foundry’s typefaces: books, posters, envelopes, pamphlets, letter transfers, print ads, and video clips as well as inflatable structures and bootlegs of logotypes. When Reala published LL Biff in 2000, the specimen employed graffiti culture and its modes of distribution, along with a combination of two references: “Medium is the message”*, “Style is the message”**. For Lineto the citation is a form that allows them to distribute their typographic catalogue while promoting diverse cultural fields: “Ignorance of your own culture is not considered cool!”***
n°17 — An acronym: ACAB. Authors: Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz and Julie Martin
Sold out — Only available with season 2 subscription
Authors: Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz and Julie Martin
20 pages, 21 × 29,7 cm, CMYK
26th November 2019
ISBN: 979-10-95991-15-1
ISSN: 2558-2062
Sold out — Only available with season 2 subscription
Authors: Ariane Bosshard, Jérôme Dupeyrat, Olivier Huz and Julie Martin
20 pages, 21 × 29,7 cm, CMYK
26th November 2019
ISBN: 979-10-95991-15-1
ISSN: 2558-2062
The acronym ACAB, often seen in urban space in the form of graffiti or stickers, first appeared in the U.K. in the 1970s, linked to punk culture, and later found a certain popularity during the social movements of the 1980s. Meaning “All Cops Are Bastards”, over the last 20 years it has become widespread in public spaces internationally, in the wake of a number of political movements, from alter-globalization groups to the French gilets jaunes, or Yellow Jackets, along with black blocks and TAZs, even spawning different variations, such as “All Capitalists Are Bastards”, “All Colors Are Beautiful” and “All Cats Are Beautiful”.
Observing how ACAB (or its numerical version, 1312) is written, allows one to traverse multiple political landscapes, as well as a number of visual cultures (anarchist, punk, hip-hop, LOL) to which this acronym has spread. It is through this scriptural, graphic and visual movement that it has become both a sign of recognition and a polysemic statement.